Aaanywhoo… none of these pages are finished, but I guess you get an idea of where I’m going with them at least?! … !
Below are sketches/scripts for the two following pages of the story.
My process when drawing a comic looks diffrent depending on what I’m doing it for.
If I’m just drawing something for myself, just for fun or to post on the blogg or what ever, I usually don’t make any mini-sketch/script at all. I just go from blank paper to finished comic in one sitting.
Working for a publisher is diffrent. I sketch, sketch again, ink, scan, print a copy, color the copy and scan it again…
’nuff said! I’ve got some packing to do, moving back to Stockholm and all…
I’ve gone through the old sketches for my book tonight and a new spark lit in me. I haven’t looked at it for months now ’cause something in me just choked up and I had to put it away. But with spring comes new flow… And I sat down tonight, and read it through, first page to last, and well… it’s good. Not finished. Not perfect. But good.
I actually laughed a couple of times (had forgotten that there were funny moments in it) and then there were a couple of pages that sounded weird that I simply ripped out.
It’s too short though. Not so much in number of pages as in content. I need to continue the story and let it contain some memories from Athens too. Like the drug incident. And the first time I saw a naked man (there were two of them and I was supposed to look all cool and relaxed next to them). And that time with the film crew in Gamla Stan.
Oh, and by the way… I’m in love with Style (Neil Strauss) now. He’s awesome. So warm, charming and easy going.
Mystery, on the other hand, is too damaged. He’s the kind of guy you have a futile obsession with… the kind of guy you date for a while and have a lot of fun with… The kind of guy who takes you for an emotional roller coaster ride and leave you all legs-shaking and adrenaline-pumped.*sigh*
Coming from a background in drama/theater I only knew Strindberg through his plays (Fröken Julie, Fadren, Ett Drömspel…). He is a magnificent play-write and I loved working with his texts back in the day, but I had no real perception of him as a person. To me he was simply the words of his plays.
Now, reading Inferno, I find a connection not only to occultism, but to Emanuel Swedenborg of all people!
I was practically brought up in the Swedenborg church (the lords new church, a reformed christian church based on the writings of Swedenborg). My grandfather, Olle Hjern, is a preacher of the church (and writer of Swedenborg-literature) and throughout my childhood we had our family gatherings at the Sunday service in his church.
I totally had no idea that occultism and Strindberg were linked to Swedenborg! I kind of just stored the whole Swedenborg-thing away as boring grown-ups-stuff. Monotonous preachings and excerpts from the bible (“… så som det står skrivet. i Lukas evangelium.”) while me and my cousins snuck away to play hide-n-seek in the back rooms of the church.
Shame on me! Time to go search through my spiritual heritage.
Swedenborg and Strindberg, here I come!
(and did you know that Strindberg was married to Frida Uhl?! Thats almost Frida Ulvegren! It’s a sign, it has to be a sign!)